Yolo Rum Podcast Interview with Howi Spangler from Ballyhoo!

Howi Spangler from Ballyhoo! Stopped by Yolo Rum Headquarters to talk with Producer WIGNZ before the band performed at Cervantes Masterpiece. The two talked about the process of writing music, the upcoming album and about Howi’s venture into the world of podcasting as the host of ‘Tales from the Green Room’. Check out the interview on Yolo Rum Podcast player, see exclusive photos from the interview and more below.

Support the Yolo Rum Podcast by subscribing and giving us a five star rating on iTunes and Follow WIGNZ on Twitter @JayWignz, on  Instagram @WIGNZ and LIKE his Producer WIGNZ Page on Facebook.

Howi Spangler and Producer Wignz

[row padding_top=”” padding_bottom=”25″ bg=”” bg_light=”true” appear=”false”]


Tales From the Green Room Podcast

Howi Spangler of Ballyhoo! talks about his time in the music industry and other fun things. Tune in for tips on how to navigate the business and hear from special guests along the way.



Official Ballyhoo! Website

Listen to new Ballyhoo! tracks, check out their soundcloud, see where they’re at on tour, connect with them on social media, see photos, shop their online store and more.



Producer Wignz Interviews Howi Spangler from Ballyhoo! for the Yolo Rum Podcast

Order Yolo Rum Online

Producer Wignz Interviews Howi Spangler from Ballyhoo! for the Yolo Rum Podcast


Producer Wignz, Howi Spangler, and Yolo Rum Founder Philip Guerin

WIGNZ:                                We are live right now on Instagram, but we’re also recording for the podcast episode number two of the Yolo Rum Podcast my man. We’ve met before, I’ve done other podcasts with you, but this is Yolo Rum-specific, hosted by myself. I mean, we will get into it, but you, you’ve been in that podcast world a little bit. But we’ve got Howi from Ballyhoo! He and I go way back, we were … I kind of hijacked a backstage dressing room at Chillin Music Fest in Florida, and that was when we first met, but it’s cool to be hanging with you, man, and just-
Howi Spangler:                  Thanks, man.
WIGNZ:                                -full circle after, I mean, three years? I think we, every time you come to Colorado and you do your thing, we run into each other, so how you doing?
Howi Spangler:                  Doing great man, doing great. Did you almost get in trouble or something with O.A.R. or something like that?
WIGNZ:                                I was totally going to bring that up, because we, dude, totally just BS’ed my way backstage. Like, totally just … I’ve worked in radio for so long that I’m just like, if you fake the funk, no one’s going to question you.
Howi Spangler:                  If you look like you know what you’re doing …
WIGNZ:                                If you look like you know what you’re doing …
Howi Spangler:                  You could walk right the fuck back there.
WIGNZ:                                Yeah, that’s-
Howi Spangler:                  Doesn’t matter.
WIGNZ:                                So, I remember Eric, who is a partner at Yolo Rum, he’s like, “Oh, you can go backstage, I’ll let you interview Ballyhoo! and then we’ll try to get you these interviews”, but when I’m in the audience, I was like like, I can’t hear anything. I hear this ruffle, I was like, there’s terrible noise, I’m not set up for a podcast. I was like, “The only way this will work is if I get backstage.” So, I’m hustling my way back there, the security gate guy, I was like, “Hey, I’m supposed to meet Steve over there, or, oh, Sam? That’s the guy.”
Howi Spangler:                  “Yeah, that’s the guy.”
WIGNZ:                                “That’s the guy.” And so, O.A.R.’s dressing room was there, and I was like, “Hey, can I set up for a podcast in there?” I mean, they know all about it, and so, yeah, that was … you were really the highlight of my interviewing back then-
Howi Spangler:                  Aw, thanks man.
WIGNZ:                                -because it was definitely ghetto-rigged.
Howi Spangler:                  Yeah, yeah, totally.
WIGNZ:                                But, you know we had a good time, and I can’t believe you remember that. But yeah, we’re in the middle of the interview, and … “Hey! What are you doing in our dressing room?”
Howi Spangler:                  Oh, man, sorry, O.A.R. Sorry about that.
WIGNZ:                                Yeah, yeah, so … but man, you yourself tour all the time. I was listening to your podcast, and I want to get into that, but when I was listening to it, and it was episode nine you did, you’re fairly fresh with the episodes, just like we are. You travel 200 days a year? Is that right?
Howi Spangler:                  Yeah, I mean, it’s … we’ve cut it back the last couple years, but we were doing, I mean for the last decade, and we’ve been touring for 12 years. And so, like roughly, about a decade of probably 250 days on the road with travel, because you’re doing 200 shows, plus the days that … to get there and between and all that. It’s a lot, you start to feel it for sure.
WIGNZ:                                God, yeah, no, but I mean you love it, right?
Howi Spangler:                  Yeah, no, you love it. It’s like, if it’s your passion, man? It’s not work, and you love it, but just like anything else, it does get exhausting and you do get tired. Sometimes you want to quit. I think your passion, though, it makes you crazy, because you want it so bad, and you feel like you’re working really super hard, but then you realize you’re not working hard enough, you know? But no, we … the last couple of years, we’ve just kind of pulled it back a little bit, just to be more home with the family, and things like that.
WIGNZ:                                And you got kids!
Howi Spangler:                  Yeah, I got two kids.
WIGNZ:                                I’ve learned so much about you without even talking to you, bro, like the podcast really is paying off, bro, yeah.
Howi Spangler:                  Yeah, yo, that’s good, I guess. Yeah, yeah.
WIGNZ:                                Yeah, yeah. So, how many? Two kids? How many-
Howi Spangler:                  Two kids that I know of. Sorry. Just kidding, babe. Just kidding, just kidding.
WIGNZ:                                You better knock on some wood now bro.
Howi Spangler:                  No, I got two kids, they’re awesome. Halo and Draven.
WIGNZ:                                Oh, great names.
Howi Spangler:                  Halo’s three. Yeah. Halo’s three, Draven is eight. He just turned eight last weekend.
WIGNZ:                                Good for you. I’m about to have my first in July.
Howi Spangler:                  Congrats.
WIGNZ:                                Yeah, but the name is the hardest part, because you want to be unique, but you don’t want them to also be like, I don’t want to say made fun of, but you don’t want to pick that one name where it’s like …
Howi Spangler:                  Yeah, yeah.
WIGNZ:                                But Halo and Draven, that’s awesome.
Howi Spangler:                  Yeah, we, I don’t know, we didn’t want like normal names. We wanted to do something different and cool, so. And I actually, my son’s name came from the movie The Crow, you know the comic book? His name’s Eric Draven, and so, The Crow’s my favorite movie since I was 13, whenever that came out, and I remember saying, I was like, “Whenever I have a son, I’m going to name him Draven.” And then I did, like whenever, 20 years later, whenever it was.
WIGNZ:                                Did you have to convince your wife, or was she cool with it?
Howi Spangler:                  She was totally cool with it. She loves the name, and then my daughter, we were, it was kind of like, it was almost last-minute. We had talked about it, but we weren’t exactly sure, and then my daughter was born, and then the midwives asked, “What are you going to name her?” And we were like, “Halo Moon. Halo Moon. Yeah.” So-
WIGNZ:                                That’s awesome.
Howi Spangler:                  Yeah, yeah, that, it came from-
WIGNZ:                                Yeah, that was last minute.
Howi Spangler:                  Yeah, it was … well, it wasn’t like, I didn’t pull it out of my ass, but like-
WIGNZ:                                But it was there, but.
Howi Spangler:                  Yeah, no. She, we had talked about it, because like, when I was a kid, my grandfather died when I was seven, and the night of his funeral, we came home, and we were walking into the house, and it was night time, and the moon had a halo around it, and that happens every so often, you’ll see that sometimes. And apparently, it’s like crystals in the air, like ice crystals. Anyway, so it makes this halo around the moon, and I asked my mom and said, “What is that? That’s so cool.” She said, “Oh, that’s”-
WIGNZ:                                Did she know it was ice crystals?
Howi Spangler:                  I’m sure she did. But, I was like seven, so she said, “Oh, that’s your pop-pop letting you know he made it to heaven”, right? Yeah, I was like, “Oh, that’s really sweet”, so kind of always grew up with that, and anytime I would see it, I was like, “Oh, that’s cool.” So, I told her that story, and she fell in love with the story, and we’d thought that, maybe kind of a cool name for the girl. And then Halo, Moon, because the halo, moon part. And so yeah, and then we told the ladies the name, and they were like, “Yeah, that’s really hippie of you.” Yeah, I guess so.
WIGNZ:                                “Yeah, yeah, thanks. Way to put that on us, midwife.” That’s cool, man. So then, you’re performing at Cervantes tonight, and you’ve been, you were in Colorado Springs and Pueblo?
Howi Spangler:                  Yeah, Pueblo to … so we do Pueblo tomorrow night. We were in Colorado Springs last night, and we were in Fort Collins the night before.
WIGNZ:                                And you’re with Fortunate Youth.
Howi Spangler:                  Yeah, Fortunate Youth, Tatanka, and they’re from Denver actually, Tatanka. So, that’s going to be their big hometown show tonight. It’s going to be a rager. We’ve got like more than half the room sold out already, and it’s going to be nuts, yeah.
WIGNZ:                                That’s awesome, man, and then you’ve been doing your podcast too, episode nine. What is it, I’m going to mess this up, I don’t want to mess it up. The Greener Tales From The Green Room.
Howi Spangler:                  “Tales From The Green Room”.
WIGNZ:                                “Tales From The Green Room”. I was like, “I was listening to it, damn it!” But no, that’s the best name for it, because you’re like, “What does go down?”
Howi Spangler:                  Yeah, and people will be surprised, or maybe they wouldn’t be surprised to know. I don’t know these days, but it’s not Mötley Crüe. It’s not glam metal, 80s metal, glam rock show. It’s like, there’s no crazy groupie shit backstage-
WIGNZ:                                Well, I don’t even think those guys get crazy anymore. Those guys are like-
Howi Spangler:                  No, no-
WIGNZ:                                It’s not even what it used to be.
Howi Spangler:                  Yeah, it’s not, it’s, I think everything pre-social media and all that, but also, I don’t know, man. Just, everybody’s, we’re always buried in our phones, and I’ve got shit going on all the time. I have no time to do anything, so, it’s, I’m just working constantly. I’m a workaholic, and I can’t stop myself.
WIGNZ:                                You’ve got to be, if you want to be to that level that you’re at, and you want to keep setting that bar and meeting it, you just … that’s just the way it is.
Howi Spangler:                  Exactly, man, it’s, but yeah, so the whole thing the Tales From The Green Room podcast is just kind of about my experiences in this whole industry, everything that’s kind of happened, good and bad, and it’s sort of a way for me to help young artists coming up to maybe avoid some of the pitfalls.
WIGNZ:                                Oh, so you, you’re kind of like a therapist?
Howi Spangler:                  Yeah, in a way, I’m a young band therapist, young musicians. No, it’s, yeah, I mean, that’s really what it is, it’s really liberating. It’s nice to kind of talk and get it out there. Like, the first, I remember the first episode I uploaded, and I was like, “Wow, this is really cool.” And then, I started getting feedback, like everybody was really stoked, so I went-
WIGNZ:                                Five stars. You have five stars across the board, got tons of, yeah-
Howi Spangler:                  Yeah, I got five stars, and I was like, “Wow, that’s fucking cool, man.” And-
WIGNZ:                                Yeah, because you don’t know how people are going to react.
Howi Spangler:                  Yeah, exactly!
WIGNZ:                                Because, especially like you said, social media age, people can hate on you, and then you just … like, I’ve had people when I talked on the radio, they’re like, “Your voice fucking sucks, bro.” And then you’re just like, “I guess my voice sucks.” It’s all those haters, can really just-
Howi Spangler:                  Yeah, if you let it get to you, it can really tear you apart, but it’s, you can’t really … I don’t, I want to say, don’t read the comments, but in nowadays, it’s good to engage. You want to engage those people-
WIGNZ:                                Embrace the haters. Embrace them, yeah.
Howi Spangler:                  -that are leaving comments. Yeah, you have to embrace them, and either turn it into a joke, or, I don’t know, you can even get in and be like, “Well, what didn’t you like about it?” Or something like that. Some people-
WIGNZ:                                And it throws them off completely, they do, yeah.
Howi Spangler:                  Completely. Some people are just assholes, you know what I mean?
WIGNZ:                                Just the way they are, yeah.
Howi Spangler:                  It doesn’t matter, but-
WIGNZ:                                They’re trolls.
Howi Spangler:                  Yeah, they’re just trolls, and so you have to deal with it, so for me, I try to get back and I answer all the DMs, and I answer all the comments on the-
WIGNZ:                                Yeah, you do.
Howi Spangler:                  -the Instagram, and our Facebook and-
WIGNZ:                                That’s how we linked up today, and Twitter.
Howi Spangler:                  Exactly, yeah, yeah, you hit me up on Twitter and you asked me, and I was like, “Yeah, let’s do it”, and thanks for having me, by the way.
WIGNZ:                                Yeah, of course, thank you. But that, so that, we talked about that last time when I hijacked O.A.R.’s dress room, that, when, especially for the listeners out there, and people streaming, it’s, you are the guy, or your group is the ones that hit people back on social media. It’s not a bot, it’s not some auto-generated response. It’s you guys hitting them back, and I think that there’s a relatability to your audience that most people don’t get, because it’s easy to throw out, “Hey, thanks for listening to our music!” And that’s it. But you’re heads-up straight with them, all the time.
Howi Spangler:                  Yeah, there’s, I don’t think there’s any other way to be, man. It’s like, for me, I guess with … I don’t ever want anybody going in and answering for me. I don’t want people replying just some generic response from Howi, but it’s not me, like that would, that’s weird. I mean, we’re at a point now where I’m starting to have staff members post things about shows and stuff, things like that-
WIGNZ:                                You got a staff now, bro? Is that-
Howi Spangler:                  Yeah, well, part of our … yeah, yeah, part of our management and stuff, they-
WIGNZ:                                How much you have grown, bro!
Howi Spangler:                  Yeah. They help me out with that stuff, but really, that’s not so much the personal part. This is just like letting people know what’s going on. As far as the engagement and talking and conversing with people, I want to be all over that. There’s no other way, so yeah, the Snapchat, you got the Instagram, you got Facebook, Twitter, I mean, just everything. YouTube. So, it’s a lot, but I don’t know. It’s fun at the same time.
WIGNZ:                                Yeah, well, I mean, you … I gotta give you props, because that was the one thing I noticed years ago when you were in Florida, but then, “I Don’t Wanna Go”. You even set up a campaign, and said, “Hey, send us your videos of yourself singing the song”, and you made their, your own video with them, and it featured … and dude, it was a great video, because you literally watch it and it’s like, it’s your crew, man! It’s the people that fucking love you, and they’re reacting to you.
Howi Spangler:                  That was so legit. I was floored, to be honest. I only gave them like two days, maybe three days, to do this, and it basically was just a simple post, like, “Hey, be in the video, send me a video, portrait, like an Instagram story, the way it looks formatted, and just of you and your friends or your family, whoever, doing whatever you want. Goof off to the song, bounce around, you don’t have to lip sync, you can just be whatever. Just do what you want.” And I mean, the quality of content, first, that I got, was amazing. There was a guy that got his daughters to film, to basically reenact the old Robert Palmer videos, “Simply Irresistible”, with the girls, with the lipstick and the hair pulled back and the black dresses-
WIGNZ:                                Yeah, and they’re playing this, they’re playing the guitar, it’s all that?
Howi Spangler:                  -playing … and they’re dancing in sync, and like, it’s just amazing. I was like, “Wow, these people care enough to do this kind of stuff.” So that was just, I don’t know, I was overwhelmed and floored by just how cool our fan base is.
WIGNZ:                                Yeah, I think it’s the fan base, the power of your music, the song itself, that shows you that everyone loved that song, and that people were really engaged. And I mean, people were singing every lyric on there. And then the rift, when the rift happened, you just had people dancing and jumping on their bed, it’s-
Howi Spangler:                  The people’s, their kids and stuff, and it was so neat, man. It’s just, I don’t know, it’s a great feeling. I felt bad that I couldn’t fit everyone. That’s how much footage I got. I couldn’t fit all the stuff and-
WIGNZ:                                Did you edit it?
Howi Spangler:                  I edited it, yeah.
WIGNZ:                                Wow, dude, you are hands-on with every aspect, everything.
Howi Spangler:                  I do it all, man, I don’t like to let anybody. Unless, if it’s something, if it’s a really big job and I know I just can’t handle it, because I’ve got so much on my plate, I hire out, I just commission someone to do the art or whatever. But I like to be hands-on with everything, because I feel like, as an artist, you should be, if it’s your vision, don’t let someone else-
WIGNZ:                                Do what you, what you’re thinking-
Howi Spangler:                  -to try to interpret-
WIGNZ:                                -your artwork.
Howi Spangler:                  And, but on the flip side, I love that as well. I love for when I say, “Hey, this is what I would like to see”, and they put their spin on it. I’m all for that. I love hiring out to do art for T-shirts and things like that. But when it comes to the music and the overall-
WIGNZ:                                Well, the music is all what you’re all about, so you don’t want to have someone have their fingerprints on something that is yours.
Howi Spangler:                  It’s the music that sort of dictates the brand and the imagery, and I mean, it’s obviously a beach thing. It’s just kind of like what we sort of put out there, and I get videos all the time of people in their cars. I got one, I think yesterday, this girl sent me like three videos of her cruising to our song “Beautiful Day”, and it’s beautiful outside. You know what I mean? So I think we’re just kind of known as that band. But yeah, I don’t know. I just love being hands-on, and being just in it.
WIGNZ:                                Do you ever sleep?
Howi Spangler:                  Not that much, man. I try, yeah. I probably get five or six hours a night.
WIGNZ:                                Yeah, I don’t see it. I mean, if you’re, I mean you’re performing, the main part is obviously the music, but then there’s that whole element of connecting to your audience, and you’re trying to do that at the same time, so … and then you’re doing your podcast on top of it, so you’re trying to get a whole nother element into it. I mean, you’re a psychologist in that front for it.
Howi Spangler:                  In a way, yeah. In a way.
WIGNZ:                                So it’s just cool to see you in that. Yeah, enjoy your Yolo Rum, I want to make sure that this is charged, so enjoy your Yolo Rum, he’s sipping on some Yolo Rum Gold right now. Howi, we’re hanging out, from Ballyhoo! He’s performing at Cervantes tonight, I should say his band is performing at Cervantes tonight, so it’s just cool to have him with us, Episode Two of the Yolo Rum Podcast. Keep enjoying that rum, let me charge this computer real quick, and we’ll be right back.
Female speaker:               Yolo Rum is giving you a chance to invest and own a piece of the award-winning rum. Visit yolorum.com/invest for more details.
WIGNZ:                                Hanging out for Episode Two. We just heard about Howi taking edibles and losing his wallet. But there was a moral to that story, good vibes off of that, and so, I mean, that kind of gives us full circle to where, do you feel like your music … because your music does have an uptempo vibe to it. First of all, I gotta say that you have a huge fan base in Colorado.
Howi Spangler:                  I’ve noticed, man. Shows been rad this week.
WIGNZ:                                It’s off the chart, because if you, like obviously, I was just counting … all right, let’s see where they’re at, they went to Nebraska, okay, they’ve been all over so far. But the Colorado reaction, you could just see the engagement off the charts off that. But do you … your music’s so upbeat, and the vibes are good. Do you ever feel like the music needs to be, “All right, let’s do a positive fun song, because there’s so much fucking darkness in the world”?
Howi Spangler:                  Yeah. I mean, there’s a … I never force anything, but at the same time, sometimes, yeah, you do think of themes, or like, “I kind of want to write a song that’s like” … it mostly is for the live stuff. There’s certain, sometimes in our set list, I feel like there’s holes, and I need to fill in this gap with a certain type of song, like I’m not feeling what should be there right now, and it’s something really uppity, and something loud, or, I mean … We love rocking out, and I love swaying to the reggae too, but so this new record that we’re working on, I don’t want to get dark or anything, but my father passed away like about 15, 16 months ago, and-
WIGNZ:                                Sorry, man.
Howi Spangler:                  Yeah, no, thank you, so I didn’t write anything for like eight months, and I started, and I guess the first song I wrote was “I Don’t Wanna Go”, back in like August of 2017, so it sort of just came out the way it did, and it’s an aggressive song, but it’s still like upbeat and fun? But the lyrics are sort of dark in a way of like it’s quirky, but it’s like “I’m just over all this shit right now”, or like “I can’t take this anymore”, or like, it’s about feeling like a puppet. That’s why the art is that way, it’s kind of feeling like a puppet, where you’re sort of this dancing clown or something, and having to do all the press and all the crazy shit. It’s just sometimes, as fun as it is, and as much as it does come with the territory, we’re, I’m human.
Howi Spangler:                  It’s like, it gets frustrating sometimes, so the rest of the record is sort of in that vein of … I wrote a lot about my dad, and my mom. She passed away when I was a kid, so both of my parents are gone now, and so I didn’t feel like the things that I was writing about was going to be like pop reggae, and stuff wasn’t really the right backdrop for that. And I started out, I mean Green Day is my favorite band, and-
WIGNZ:                                Yeah, what’s your tat?
Howi Spangler:                  Oh yeah, that’s the-
WIGNZ:                                Oh yeah.
Howi Spangler:                  Yeah, from “American Idiot”.
WIGNZ:                                That’s awesome.
Howi Spangler:                  Yeah, they’re my favorite band, so-
WIGNZ:                                Always, even kept engaged with your … so, wait, here, I’m going to show you as well, Instagram.
Howi Spangler:                  And so, I just come from that school of Billie Joe Armstrong, and just chunking away on my guitar, and getting crazy with the crowd and rocking out and running around. And I can’t really do that on stage, when we’re, I’m stuck with the reggae, I’m just kind of swaying, which is great, but I want to move around-
WIGNZ:                                You want to feel it.
Howi Spangler:                  -yeah, I do. And like, I still feel it when we play the reggae and stuff, but … So anyway, this one-
WIGNZ:                                The intensity just isn’t in the style.
Howi Spangler:                  -yeah, yeah. I want to, I feel like I’m not giving enough to the crowd. I want to give more, and when I played punk rock and ska and stuff, I feel like I can get more energy to the crowd.
WIGNZ:                                Let yourself go. I mean, you’ve got, it seems like you’ve been through just a lot that you want to translate that through your music.
Howi Spangler:                  Yeah, there are times where I just want to be … I do, like you said, let yourself go in a way. I want to, I just want to be in the moment, and not thinking about anything but the music, and just doing it. So, back to the record, that’s sort of what this record is trying, it’s … the new record is heavy, it’s punk rock, it’s metal, it’s like there’s one song that’s like a reggae song, you know what I mean?
WIGNZ:                                Yeah.
Howi Spangler:                  And even in itself, it’s kind of a more-
WIGNZ:                                It’s an evolution of your band. I think that you hear that a lot. I mean, it’s funny, if you turn on your radio station, you’ll hear Slightly Stoopid, but I mean, even they themselves go from kind of like a punk pre-era, to a raging out, to where you just hear an evolution of it, and I think that’s kind of where you guys are at. It’s just that … because all of your songs, like “Cali Girl”. You just have these songs where it’s like a fun vibe, but you almost need to show how you’re actually feeling. Do you feel that? Is that why this record kind of took the path that it took?
Howi Spangler:                  Absolutely. I don’t, that’s why it sounds like it does, because I didn’t want, I didn’t feel like writing party songs, you know what I mean?
WIGNZ:                                Yeah.
Howi Spangler:                  And we did that on “girls.” and I love that record, it’s our most successful release ever, but just the way I was feeling, I’m not going to fake it, and it … I just, I don’t know, I just wasn’t feeling it when I was writing it. It was just more dark shit coming out. And it’s still the way, it’s funny, like the way it comes out, even when I write weird dark material or whatever, it’s still, the music itself sort of, kind of balances it out, I guess? Like it’s still kind of in a positive way.
WIGNZ:                                There’s a story being told, yeah.
Howi Spangler:                  Yeah, we’re basically just, I’m telling a story, and the music is sort of … and it just, and it keeps it from being too emo, I guess. I like to-
WIGNZ:                                That you’re more than that, and that’s what, Ballyhoo! is a lot more than that, yeah.
Howi Spangler:                  Yeah, yeah, and there’s something about our brand or our style, that somehow still sounds like us no matter what we do. And I think our fans are really going to love this record when it comes out.
WIGNZ:                                When does it come out, do you, is it hard to-
Howi Spangler:                  Yeah, at the moment, I still, I got about half the songs recorded vocally. The music’s all done, and I did, I’ve done, there’s 12 tracks on it, and I’ve got six songs in the can vocally. And then, I’ve got to go home, I’ve been on tour for six weeks, so I haven’t been able to get to it. There’s nowhere quiet to go to record vocals at the moment for us, so when I get home next week, I’m going to get back to it, and hopefully, end of summer, maybe September, something like that.
WIGNZ:                                Now, when it comes to writing those lyrics, I mean obviously, I want to say you’re the head guy of the band, you’re the head guy of the band, so when you write something that’s different than what you’re used to, how do you approach the band and say, “Hey, check this out, what do you think about this?” Do you want their fingerprints on that?
Howi Spangler:                  Oh, for sure.
WIGNZ:                                Or is it kind of like, “No, this is the direction we’re going”? Or, how does that whole process-
Howi Spangler:                  Yeah, it’s not like a … I’m not a fascist.
WIGNZ:                                You’re not a huge fascist!
Howi Spangler:                  Yeah, I’m not a huge fascist! Oh. No, I just, it’s not like that. I have a vision I do, and there are certain things that I just want to be that way, but I love when my brother does his thing on the drums, and Nick plays bass. It’s just, they have their own thing, and they put their spin on it, and there’s some-
WIGNZ:                                It’s why you’re a band.
Howi Spangler:                  -yeah, and there’s, yeah, you work together, and I’m a primary songwriter, but sometimes if Donald comes in with a different drum part than what I had on the demo-
WIGNZ:                                Not the fascist?
Howi Spangler:                  Yeah, yeah, yeah, right. Different Donald, different Donald. He, he’ll, it’s usually better than what I wrote. I’m not a drummer, but I have an idea what the beat should sound like-
WIGNZ:                                And he takes it-
Howi Spangler:                  And he just runs with it, and sometimes I’ll be like, “I don’t like that, it’s just, it’s weird and you should pull it back”, and whatever. We’ll compromise on things like that, but, no, man, that’s just what it is to be in a band. You work together, and-
WIGNZ:                                Especially if you want to be successful, because I mean, if, otherwise, you guys would just be in the tour bus, and there’d be tension.
Howi Spangler:                  Yeah, you don’t want people hating on each other because they didn’t get their part on the record or something like that. So it just, I don’t know, it just kind of works the way we do it, I guess, and-
WIGNZ:                                So you’ve been doing it for so long.
Howi Spangler:                  It’s been a long time, yeah. We’ve been a band for 23 years, we’ve been putting out records for 18 years. So, been on tour for 12 years.
WIGNZ:                                And then the evolution of, do you feel like the new streaming of the way music is now has hurt you? Do you think it’s, I mean, do you feel like it’s … because it’s totally different than it was, and you got to experience what it was 10 years ago to now, like just-
Howi Spangler:                  I’ve seen all the sides of it. It’s weird. Both sides of it, when-
WIGNZ:                                Yeah, not many people can say that, that they’re still-
Howi Spangler:                  Yeah, there’s a, I was there in the 90s when bands were getting signed for millions of dollars, and had tour support and stuff like that. We weren’t getting that, we weren’t even anywhere near that, but I knew about it, I heard about it, and once Napster came along and ruined all that, the labels started freaking out in the mid 2000s.
WIGNZ:                                Took them a minute.
Howi Spangler:                  Yeah, it took them a minute, they didn’t understand, they didn’t know how to embrace it. But that’s the whole thing. You have to embrace the change. As much as it might suck to change what you’re used to, you have to embrace it, and for us, I think monetarily in a way it did, the band and most artists took a hit when it turned to streaming, because you make more money off of downloads, and you make more money off of selling your CDs, but CDs are pretty much-
WIGNZ:                                Out the window now, yeah, it’s like DVDs are even going that way now, yeah.
Howi Spangler:                  Even DVDs, yeah. And with streaming, they get so many subscribers every year, or every month even, I think in a couple years, downloads are going to be gone. That’s what I think. But-
WIGNZ:                                Just straight streaming, it’s, everyone’s-
Howi Spangler:                  It’s, everyone’s going to be streaming. It makes total sense for the consumer. You’re paying $10.
WIGNZ:                                It’s all it is, yeah, for all. Versus, when you used to pay like $18.99 for an album, and then you only liked one song off of it, and then you were like-
Howi Spangler:                  Yeah, so you’re paying $10, you get pretty much everything you want. Most bands are on Spotify and Apple Music, and all that, so I think eventually, it’ll sort of get back to where I was, maybe, monetarily, because all songwriters are actually getting a raise very soon. They just signed a, Congress just signed some paperwork that they’re going to sign shortly.
WIGNZ:                                So it’s like a percentage of whatever, yeah.
Howi Spangler:                  Yeah, I think it’s like 9 or 10% right now, but with Spotify, it’s like a pot, so all the money goes into a pot. That $10 doesn’t go to Ballyhoo!, it goes to every artist that’s on Spotify. But it depends, it changes every month-
WIGNZ:                                Is it based on your rate, your plays? Does that count-
Howi Spangler:                  Yes. It’s based on streams, so different, the bigger artists are obviously, they’re going to get the bigger chunk because they’re getting the most streams. It’s really crazy, so you’re never getting paid the same every quarter.
WIGNZ:                                So almost every check that you get from Spotify, you’re like, “Oh, they, this is the month!”
Howi Spangler:                  Yeah, yeah, yeah, it’s like, “Oh, we killed it!” But, no, it’s wild, man. But I think eventually it may even out, or whatever. And eventually, there will be all these new bands, and they don’t know what it’s like to get paid by downloads and all that stuff. But having gone through it, yeah, absolutely. But the one thing is, those same people that are paying the $10, they can listen to your music if they want.
WIGNZ:                                Over and over and over, yeah.
Howi Spangler:                  Over and over and over. They can find your music. If someone sends them a link, they can open it right up in their Spotify or Apple, and they can listen, and therefore you’re getting more exposure. When you put your fans behind a paywall, like when you say “We’re not going to put it on Spotify”, some, like, I think Adele and Taylor Swift. And it was probably-
WIGNZ:                                It almost, you take off your audience almost, yeah.
Howi Spangler:                  Yeah, and I think it was all in, with good intention, but I think ultimately what it did was it put a paywall there, and their fans are like, “Well, I’m not going to fucking buy that shit, I’m going to listen to it on Spotify in two weeks when it comes out”, because I think-
WIGNZ:                                “I’m already paying $10.”
Howi Spangler:                  Yeah, I think they ultimately went with, they put it on there, but it’s like the first two weeks or month or something like that-
WIGNZ:                                They were trying to battle it, yeah.
Howi Spangler:                  Yeah, exactly. And I get it, but, and I know Taylor Swift was standing up for indie artists in this way. But, at the end of the day, man-
WIGNZ:                                It’s a lost battle.
Howi Spangler:                  -the change is coming. The change is here. It’s more and more, like I said, every year downloads go down, streaming goes up, and I’m fine with it, man. I love that anyone can listen to our songs.
WIGNZ:                                Well, I think that’s why it’s so key that you are as awesome as you are on social media, because you have to be able to say, “Hey, here’s our new song. Check it out”, or “Hey, you want to be a part of our music video? This is what you got to do, stream, take video of yourself, send it to us.” I think that that’s, if you’re not doing that, and these artists aren’t taking advantage of that, then you’re just doing an empty like. You’re just like, “Hey, just like my photo! Look out”, yeah.
Howi Spangler:                  Yeah, yeah, you can’t do it that way. It’s got to … I love trying to include our fans any way we can, and “I Don’t Wanna Go” was like the perfect song for that. I felt like it was just the way, I don’t know, vibe of the song, was just perfect to have people jumping around and acting crazy and silly, and I hope to do it again in the future. And, I don’t know, I just love, we get so much support, we have the Ballyhooligans, they’re just the best.
WIGNZ:                                Ballyhooligans?
Howi Spangler:                  Yeah, the Ballyhooligans, yeah.
WIGNZ:                                Yeah, I love that.
Howi Spangler:                  There’s a Facebook group called the Ballyhooligans, it’s over 2,000 members, and they ask you a certain set of question, I think it’s three questions, and-
WIGNZ:                                To get into the club?
Howi Spangler:                  -to get in, yeah.
WIGNZ:                                Oh, wow. “What’s the password?”
Howi Spangler:                  Yeah, yeah. Yeah, well, you can’t just be, “I just wanna be in the group, just because.” It’s like-
WIGNZ:                                You got to prove.
Howi Spangler:                  -we don’t want fair weather. We want the people that really love the band, and-
WIGNZ:                                The die-hard.
Howi Spangler:                  Yeah, and these are the people that, they’re so positive, and they just really care, and they’ll schedule meetups before shows in the cities, and hang out and have some drinks together and stuff. It’s awesome, man, it’s a community.
WIGNZ:                                Well, you, even in that video, you were hanging out with the crowd, you had all fans all behind you and doing all that stuff, so that’s-
Howi Spangler:                  Yeah, we, that was the night we were in Baltimore, and we had all our friends and family there, so we, just like that, I had the camera, we were all drunk, it was after the set. I’m glad it was after the set, because everyone was wasted, and my buddy was crowd surfing on top of everybody, and just, it was fun, man.
WIGNZ:                                That’s what you’re all about. Well, Howi, man, I appreciate it. Yolo Rum Podcast, this is our second episode. I loved listening to your podcast, I’m subscribed.
Howi Spangler:                  Thanks, man.
WIGNZ:                                So, yeah, so I got you on that. But any time you’re in Colorado, I know that Colorado loves you. We love you, man. You and I go way back, so I appreciate you coming out and hanging out with us, and kill it tonight at Cervantes, enjoy the tour, and hope you enjoy that Yolo Rum.
Howi Spangler:                  Oh, dude, this is great, this is awesome.
WIGNZ:                                And let me know when that new album’s out, man. And we got you. Yolo Rum, all the way. Thank you, Howi, appreciate it, bro.
Howi Spangler:                  Thanks for having me, man.

The views and opinions expressed in “Yolo Rum Podcast” are those of Producer WIGNZ and/or the guests, and do not necessarily reflect the official policy or position of Yolo Rum LLC.

Order Yolo Rum Online

Yolo Rum Podcast Interview with DJ Caspa


Yolo Rum Podcast Interview with Dubstep Champ and Dopest Ghost: Caspa

Bass pioneer from the UK, a DJ, a label owner, a former basketball player, a straight talking dubstep champ and dopest ghost: Caspa You can introduce him in many ways, but the best way is through this mans beats. Caspa sits down to talk with Producer WIGNZ for the first episode of the Yolo Rum Podcast. Check out the interview on Yolo Rum Podcast player, see exclusive photos from the interview and more below.

Support the Yolo Rum Podcast by subscribing and giving us a five star rating on iTunes and Follow WIGNZ on Twitter @JayWignz, on  Instagram @WIGNZ and LIKE his Producer WIGNZ Page on Facebook.

Caspa the Dopest Ghost and Producer Wignz


Caspa, Dubstep Legend, and Phil Guerin, owner of Yolo Rum
Order Yolo Rum Online


Caspa Sips Yolo Rum and talks about how rum is his favorite spirit with Yolo Rum Founder Philip Guerin


Caspa, Phil, and Gary J pose with the bottle of Yolo Rum Gold Caspa is taking back to London


Hear Caspa’s latest mixes and tracks on Soundcloud


Special thanks go out to The Black Box Denver


and to Sub.mission

Caspa Interview Transcription

WIGNZ: Alright, we are doing this. You know me. I’m producer WIGNZ. I have done multiple podcasts but, this Caspa, this is our first episode, bro, for the Yolo Rum podcast.
Caspa: Nice!
WIGNZ: So there’s no one better to have join us for this podcast. This man right here is all about the bass. UK bass pioneer, DJ, label owner, ex-pro basketball player, straight talkin’ dubstep champion, dopest ghost, this man can be introduced in many ways, but the best is through his beats. Welcome to the show, Caspa.
Caspa: That’s a lot of titles.
WIGNZ: Man! I saw that on your SoundCloud bro, I was like, and you played ball?
Caspa: Yeah, I used to play basketball. It was like a while ago. What was it? Fifteen, twenty…twenty years…fifteen? Yeah.
WIGNZ: You don’t need to date yourself.
Caspa: It was a while ago. It was a while ago. Yeah I did, I was a hard-baller. Got to play for my country and got to get a scholarship to come out to the states and stuff. Yeah.
WIGNZ: So what happened? You just…
Caspa: Shoulder injury.
Caspa: Yeah and then it was like surgery and taking two years out and by then it was kinda like, you know what, let’s just try something else.
WIGNZ: So yeah, music, is that what happened?
Caspa: Music’s just in the family, really. Like, dads record collectors and growing up in London, there’s just a lot of dance music. It was just natural on pirate radio stations and just kinda everywhere. So I just kind of naturally fell in love with it. Through, like, UK Garage and then as it progressed on to Dubstep it was right at the forefront of it.
WIGNZ: Did you do music before ball?
Caspa: No. Not really. Listened to a lot of music. But never, I don’t even play an instrument now. I can’t play an instrument.
WIGNZ: So, what did you just hear it? What inspires you? What gets you to that mode of being able to create?
Caspa: Yeah, I don’t know. Weed helps a little bit, sometimes.
WIGNZ: (Laughs).
Caspa: Alcohol, I can’t write on alcohol. I just kind of get really frustrated. But no, just living in London kind of gives me a lot of inspiration and it’s a crazy city, has a lot of different cultures. You meet a lot of different people. So, yeah, that kind of gives a lot of inspiration. It’s a very fast paced, there’s a lot of new things comin’ and goin’. That’s kind of how dubstep evolved in London. It was really small community, and then just exploded.
WIGNZ: And you’re a pioneer of it out there, pretty much.
Caspa: Not the pioneer. I was just a part of a group people that kind of helped push it forward and get it recognized. But I would never say I was the pioneer of it. You know what I mean? That’s a big statement. You know what I mean?
WIGNZ: Yeah. You’re a part of it.
Caspa: Who’s the pioneer of jazz? You could have a massive statement about that. It’s like wow. So I’m just a part of the movement. You know what I mean?
WIGNZ: Yeah. Well, you’re here on 4/20, so no better time to get motivated out in the Mile High City then…
Caspa: That’s it, man. Yeah, trying to keep it moving, trying not to get too stoned.
WIGNZ: What is Colorado like? Do you feel, I mean you’re from the UK, so is it kind of, that Amsterdam vibe out here? I mean, it’s not to that level, but what do you feel about Colorado?
Caspa: It’s a bit nicer than Amsterdam, to be honest.
WIGNZ: Okay (laughter). A little bit cleaner?
Caspa: A little bit cleaner, a little bit more friendly. You know what I mean? Cheaper.
WIGNZ: Yeah (laughter).
Caspa: A lot of reasons to come. I lived here for almost six months in 2014, I moved here.
WIGNZ: Was that right when it legalized? Coincidence?
Caspa: Do you know what, actually it was a coincidence and I remember moving there and the first day, it was like, “Yeah you can just go in the shop and show your passport.” And I was like, “this is a great coincidence.” So I was, in a lot of shops, the first Englishman and I put my pen on the map.
WIGNZ: There you go. Exactly. Well you performed at Black Box last night, performing there again tonight.
Caspa: Yeah, three sold out shows. Last night, tonight and tomorrow.
WIGNZ: You perform all over the world and then you just got done performing, doing a set over at Myxed Up Creations. You said that was your first time…Cause Myxed Up is a head shop up here in Colorado if you don’t know so that was kind of your first experience in that environment.
Caspa: Yeah, people were telling me it was one of the originals.
WIGNZ: Yeah, it was. Phil, the owner of that, he started that and he’s just a pioneer in a lot of the things that he does. And he does deserve that statement at least for that because it was one of the first out here. It’s in a territory that no man has gone before and he’s done it and then you’re there doing your set.
Caspa: Well that’s what dubstep is about too. Do you know what I mean? We was doing stuff that no one else was doing and it was just very, very small and then, when it becomes something, it literally spread like a virus and it’s everywhere and Denver was a place that really popped off for it and for me, Denver is like the capital of dubstep for America. For sure.
WIGNZ: And you’ve been all over the world so that’s a huge statement to make right there.
Caspa: Yeah, and doing little in-stores like this, I mean, back in the UK we used to do stuff in little record shops. We sell our records and CDs and just go in and play a set and get everyone down and get them drinks. It’s a nice vibe and you connect with fans and sometimes it’s very impersonal in clubs. On stages or at festivals. To do something very intimate and vibey and free, I’m all about it if it’s in the right situation so to mix it with a head shop, I’m a smoker so it works out.
WIGNZ: I have to give much respect to you Caspa because most people can get to a certain level and not be friendly to everyone else and you walked around that store, shook everyone’s hand that came up to you, took pictures with everyone. It’s nice to see that you can make it to that level that you’re at, still be a little modest about it, but still be so down with the people.
Caspa: I’ve got some very good people around me that like to pin me down. Keep my head from floating away so it’s good. Keep the ego away.
WIGNZ: No, you’ve gotta do that man. So you’re going to Vegas, right?
Caspa: Yeah, yeah doing EDC this year solo. I’ve done it my first time with Rusko in 2016 so back this year, doing the Bassrush Records stage. It’s a new stage.
WIGNZ: That’s a tongue twister right there man (laughter).
Caspa: Yeah, exactly. Especially after a few…
WIGNZ: Some of that Yolo Rum (laughter).
Caspa: Speaking of that, it’s gone straight to my gut man.
WIGNZ: Yeah, no it’ll do that for you especially out here in that altitude if you’re not used to that man.
Caspa: Shit, forgot.
WIGNZ: Well pace it man. Like you said, you gotta do your set tonight.
Caspa: Little show tonight.
WIGNZ: Yeah, yeah you gotta kill it up there. But what else is next man? You got a lot of stuff going on.
Caspa: Yeah, I’ve got my album. Well, it’s kind of an album. It’s music that I’ve started releasing once every two months. I was releasing tunes over the last year and a bit and I’ve finally got the final piece of it all together. It’s called Vibrations so that’s gonna come out probably next month now. That and then, I’ve got so much new music, it’s just planning when to put it and how to do it and doing shows. I’m just picking shows that I wanna do like people wouldn’t expect me to go and play at the Black Box because it’s such a small capacity club. So you could do bigger place but I’m like, “Yeah, but the vibe. It’s all about the vibe.”
WIGNZ: The energy.
Caspa: Yeah, and it’s not always about the money. It’s always about doing things that are fun. That’s why I do it. I just get paid from it and sometimes you get paid good and sometimes you don’t, but I do it because I want to do it and it’s fun. So doing stuff like that, intimate things for me are more exciting than playing big festivals or anything so it’s important to do that, especially in Denver which I feel is like a second home for me.
WIGNZ: Do you feel, I mean it probably goes without saying that music and what you’re doing is a language so you don’t have to speak a language and you’ve been all over the world. You don’t have to speak the language of where you’re going just because everyone feels that vibe of music.
Caspa: Depends on how you want to get really deep on it or not, energy and vibration, mate. That’s a language in itself, you don’t need any, you know what I mean?
WIGNZ: Oh, let’s go down that rabbit hole man.
Caspa: You know what I mean? How long have we got here? We’re like Alex Jones over here.
WIGNZ: No, none of him man, but I have seen that cat man.
Caspa: I’m just lookin’ at the suit. That’s all it is.
WIGNZ: Oh yeah the suit man. I wore the suit just for you son. I was like, “I’m meeting Caspa, I gotta throw it on.” There you go dude. Well that’s exciting man, you’ve done a lot of stuff. Who inspires you musically? You said that you come from that musical family or you just listened to it. What is it that you’ve listened to or what gets you going?
Caspa: I mean, I still fight with that because I don’t know really. I do and I don’t. It’s as I get older, I realize what inspired me later on. Like my dad being so madly into music and he’s madly into punk. Big time, but then he loves like Beatles and he’s just mad into English music.
WIGNZ: Well that UK punk scene was huge.
Caspa: Yeah, so he’s just all about it. You know what I mean? He’s got the look as well, he looks like it and then my brother was just into hip-hop and broken beat and jazz so his record collection was like Gang Starr, Mobb Deep, Wu-Tang, Talib Kweli, all that kind of stuff so, and then living in London, having just hardcore Jungle, Drum & Bass, UK Garage, it’s like progression of dance music. That around me just inspires me to do what I do.
WIGNZ: Yeah, so when you’re in your car, what are you gonna throw on? Do you need something to motivate you? Do you listen to your own stuff?
Caspa: I don’t want to sound egotistical, but it’s always my own things because I’m just trying to listen to the mixes. You know what I mean? Does it work? How does it sound in the car?
WIGNZ: Oh dude, I messed up there.
Caspa: Yeah, you’re like, “Shit, I need to turn the snare up. Nah, it needs more bass. Always more bass.”
WIGNZ: Yeah, always more bass. My wife is a huge fan and that’s what she says, “Oh he’s all about the bass.” She texted me that all in caps, “Make sure you say that.” I was like, “Alright, I got you.”
Caspa: But yeah, I mean my wife’s a jazz singer so that’s the complete opposite to what I do so I’m always just hearing music, but most of the time I’m indulged in what I’m doing and it’s sometimes I try and step out of it and go and see what’s going on and listen to a bit of Kendrick Lamar or find out what’s going on.
WIGNZ: He won a Pulitzer! Did you hear about that?
Caspa: No, I didn’t, no.
WIGNZ: Yeah, Kendrick Lamar’s got a Pulitzer for DAMN. Yeah so he was the first rapper to get a Pulitzer Prize out here.
Caspa: Good for him.
WIGNZ: So it’s cool you vibe off that guy because it’s like…
Caspa: Just all music man. I’m just into music and I think, I tend to listen to the most weird shit and people just be turned off to it, but I’m listening in a different way. Especially when you’re a producer, you’re kind of listening for samples. You’re like “Can I sample this? Can I rip this?”
WIGNZ: I’m gonna use that. I’m gonna use that. Do you have to ask for permission? How does that work?
Caspa: No comment.
WIGNZ: Yeah, alright. My bad. We won’t go down that rabbit hole either, you know what I mean?
Caspa: Exactly.
WIGNZ: Well Caspa, I appreciate you coming out, hanging out at Myxed Up Creations, Black Box, just anytime you come to the Mile High City, we will take care of you. Always got that Yolo Rum and I don’t think for episode one of our podcast, I don’t think we could have had a better guy to kick this off.
Caspa: Listen, someone’s gotta top this. Alright, just let them know who started first.
WIGNZ: No, no. You’re the pioneer of this. How ’bout that? You’re the pioneer of this.
Caspa: Good. How ’bout that? Thank you.
WIGNZ: Thank you man. Hey, one question I do have is Rusko, he’s healthy. He’s 100 percent cancer free now.
Caspa: Yes, I believe so yeah.
WIGNZ: Did that have, I mean you guys are boys. Did that have any play on you emotionally? How did that…
Caspa: That whole journey was just crazy because, when he moved to the States and I was in the UK, we just was on this crazy journey, both doing individual things and we never got the chance to really reconnect and when he moved back to London in 2015, back to the UK, we just linked up and we just started talking and hanging out again like we did before, writing music. And then we just started doing shows and we’ve done a run of shows together and we had our last show and naturally we didn’t book anything else in. And then, in that time we had off, that’s when he got the news. How it happened was so crazy and then yeah , he’s fully recovered now and I think he’s out just working on getting himself back, cause he loves the music. He’s a musician. You know what I mean? That’s what he does.
WIGNZ: Well give him our best man. He was here for 4/20 last year. You’re here for 4/20 this year and just go have a good night and anytime you’re back in the Mile High City, we got you.
Caspa: All vibes mate.
WIGNZ: Caspa on the Yolo Rum episode one podcast. Thank you my man.
Caspa: Big up.

The views and opinions expressed in “Yolo Rum Podcast” are those of Producer WIGNZ and/or the guests, and do not necessarily reflect the official policy or position of Yolo Rum LLC.

Order Yolo Rum Online